It should be no small irony to film buffs that 76-year-old filmmaker-author Ingmar Bergman, having directed and written 36 movies during his lifetime, is finally beginning to convey authentic, vital emotion in his work. His most generous feature, Fanny and Alexander (1982), about the sumptuous excesses of his grandmother’s family,…
I have a question for the Lesbos. Is it possible to turn Lesbo? People talk about this all the time. They say, “Well, after that third divorce, she just went plumb lesbo on us.” Or they say, “She’s a lesbian, but she has a boyfriend. She’s just doing it ’till…
Peter Jackson might be the boldest English-language director working today whose films are seen by almost no one. His latest effort, Heavenly Creatures, should remedy that situation. Based on a real-life New Zealand murder case in which two adolescent girls plotted the murder of a parent they believed was impairing…
Well, the No-Smoking Nazis have reached the borders of New York City. There’s a lot of things you can say about New York City, but the one thing I always liked about the place is that it was the last place in America that respected smokers. Some of the office…
John Frankenheimer’s World War II-era railway adventure The Train turns 30 this year, and it’s almost appalling to consider just how infrequently modern-day Hollywood has mustered up the energy and dedication to match its countless splendors. A huge, roiling, clanking, screeching, rumbling hulk of mayhem that seizes you from frame…
When a first film–especially a locally produced, very low-budget film–doesn’t ring your bell, the tempting course as a critic is simply to ignore it, under the assumption that bad press isn’t always better than no press at all. Fortunately, Joseph Alexandre, the Dallas-based writer, director, editor, and co-star of the…
Twenty pages into her first read through the script of The Last Seduction, John Dahl’s stunningly nasty film noir, Linda Fiorentino realized she simply had to play the film’s antiheroine, Bridget–a femme so fatale she makes Sharon Stone look like Sandy Dennis. She’d reached the page where Bridget arrives in…
Why is every election between the Republican Idiot and the Democratic Idiot? And then if some third guy shows up, everybody says, “I can’t vote for him. He’s an idiot.” Why is the third guy always an idiot? He’s the only one who doesn’t have 150 years of history behind…
The latest issue of local fanzine publisher Clyde Gentry’s Chinese movie guide Hong Kong Film Connection hits stores November 23. It includes reviews of every Hong Kong movie on video or coming soon to stateside theaters; an update on the latest career moves of the Asian Steve McQueen, Chow Yun-Fat;…
This is how Captain James Tiberius Kirk dies: he jumps across a broken bridge to retrieve a device–whose function is too complicated, and frankly too unimportant, to describe in any detail–the bridge gives way, and he falls into a ravine. Yes, Captain Kirk, the man who cheated death a million…
To know what basketball is, you must live, eat, drink, sleep, and sex it; let other people play it. For a select few, it isn’t a game but a way of life, an identity, a dream of escape from abject poverty. Those who can realize this dream are the ones…
What is this Inner Child dealie? What are people talkin’ about when they say they need to “get in touch with my Inner Child”? I’ve been hearin’ this for several years now, and ever time I hear it I sit there like a goombah, pretendin’ I know exactly what they’re…
The 1994 Dallas Video Festival is as eclectic and erratic as the medium itself. The good stuff is some of the best you’ll see anywhere in any medium, and the bad stuff is damn near unwatchable. But that’s what makes this Festival so invaluable, not just to the audiovisual scene…
While sitting through Dreams of Equality and Thinking Like a Woman: the Life and Times of Mary Kay Ash, two locally produced movies scheduled for opening night of the Dallas Video Festival, I couldn’t help wondering: at what point, exactly, did the passion go out of Cynthia Salzman Mondell and…
Although playwright David Mamet swears he wrote Oleanna before the Clarence Thomas-Anita Hill hearings, you can’t help but feel the same bitter resentments and frustrated rage drifting out of Mamet’s two-character drama that turned Hill’s testimony into a kind of national catharsis. Mamet is aiming to achieve that same kind…
Except for hardcore porn, no movie genre is as disreputable as horror. It is inherently, and proudly, visceral–a severed finger in the champagne flute of cinema history. Even when a highbrow auteur like David Cronenberg or Stanley Kubrick comes along and tries to swathe the genre’s bleeding, ripped-up heart with…
We’re in the movies! The Dallas Observer’s downtown digs will become a makeshift film set courtesy of the crew of Tornado, a new noirish thriller starring James Spader, Eric Stoltz, Peter Strauss, and toothy ’70s macho icon James Coburn. “It’s a blackmail mystery that takes place amongst a group of…
Ever once in a while some photographer or hiker or anthropologist or somebody finds a new “Stone Age tribe” living in Papua, New Guinea or Borneo or the Congo or the Amazon River Basin. A big article comes out in Time magazine, and somebody writes a book about how “gentle”…
In the closing credits to his comic feature film debut Clerks, writer-director Kevin Smith thanks Jim Jarmusch, Spike Lee, and Richard Linklater, among others, for inspiration. It’s a good guess Smith looks to those filmmakers more as trailblazers than artistic influences. Although Clerks traffics in the same kind of confused,…
Except for Nicolas Cage, there’s no leading man in movies today who suffers as exquisitely as Matthew Broderick. He’s at his best when his characters are at their down-and-out lowest–struggling to hold onto some small shred of dignity while life is gleefully retching on them. He’s a versatile actor, but…
It’s a rainy Thursday afternoon at the headquarters of DNA Animation, Dallas’ seven-year-old hub of gleeful bad taste and excess, and the company’s core group of artists–Keith Alcorn, Paul Claerhout, John Davis, and Debbie Dunning–are taking a break. Huddled around a television set in one corner of the cluttered, computer-laden…
At a time in which sex and violence in the movies is blamed for every conceivable social ill, talking to the man who made them both a legitimate entertainment experience feels like an audience with the devil. During a four-decade career, 72-year-old filmmaker Russ Meyer has watched American gender issues…
